Lance Armstrong Dates an Olsen
December 12, 2007
Normally, I’m not one to get caught up in the drama of celebrity happenings. At least not on purpose. I mean, yes, I will peruse the cover of, say, an US Weekly while I’m held up at a grocery line. I may flip through the E! Channel to see what Ryan Seacrest is excited about today. When I sign into Yahoo, I take a glance at the pop culture headlines next to the login box. But I’m not an active seeker of celebu-drama.
Today, however, someone brought up to me an event that I couldn’t ignore. Two monolithic figures in our society have joined forces to create a relationship that, if left ignored, may fizzle and put a stop to perhaps the greatest love story ever told. I am of course talking about the newly flower-bud of burgeoning love between Lance Armstrong and Ashley Olsen.
The age difference between the two really isn’t that dramatic, when you’re reasonable about it. They’re both at the tops of their respective fields: Armstrong has won many a Tour de Lance, while Ashley Olsen is 50% of the biggest money-making machine ever to grace Lance Armstrong’s lap.
After the news bulletin was brought to my attention, I did a little research. Apparently, the two were spotted drinking red wine at the Rose Club, while A-Ols sat on L-Arm’s lap and giggled “like a schoolgirl.” That kind of connection almost never happens.
I feel like society is calling this match surprising. Well, you know what else is surprising, society? Justice. Peace. A reasonably priced headband at Banana Republic ($22 was what I paid by accident. I was thinking it would be like, $7. But I couldn’t bring myself to put it back.) These things aren’t bad because they’re surprising, they’re fantastic and rare! Just like Ash-strong’s love.
The cynic in me says that the 15 year age difference and the vast gap in experience between the two will eventually wrench an ice pick in the heart of their newly borne passion. But the romantic in me? The romantic in me says that this is a story which deserves to be told, regardless of whether it actually happens.
That’s why I’ve taken the time to create a tale of love.
Ash-Strong: A Love for the Ages
A Play
by Angela
Act 1, Scene 1
An Italian Restaurant. The lights are dim. The tablecloths checkered and spotted with wax from the burning candles. Crumbs of bread are visible on the floor. Lance Armstrong sits alone, brooding.
Lance
(to himself)
Another Italian dinner alone? The portions at this, my favorite restaurant, are so large they could be shared by two people. My appetite is ravenous as usual. But this time, my appetite is not for complex carbohydrates to fuel my ferocious pedaling. Since I’ve retired, my life has seemed empty. I’ve dated women. But have I truly loved?
Waitress
All finished, Lance? (Reaches to take half-empty plate of lasagna)
Lance
Yes, Marta. I am finished. (Throws napkin to the floor) I’m finished searching for something I’ve always wanted but never found. I’m finished pedaling my bicycle across the globe in the hopes that someone will stop me and ask, “Why so fast? What’s your hurry? Why don’t you stop and experience life, and love, and family like a true man should?” I’m finished behaving like a trained horse. I’m finished with feeling the wind under my helmet and spending time with superficial celebrities. I’m tired of yellow plastic bracelets and I don’t want to live strong. I just want to live my life, Marta. Just life.
Lance exits without paying.
Curtain
Act 1, Scene 2
A Manhattan Apartment
Ashley Olsen sits alone on an overstuffed couch, seeming depressed.
Mary-Kate snorts cocaine off of the Special Features disc of the Full House Season One DVD set.
Ashley coughs. Mary Kate glares at Ashley, and storms out of the room without a word.
Ashley
(To herself)
What am I doing here? Watching Mary-Kate throw away our years of teamwork, burying herself in a new, exciting world of hobo clothes and crack pipes? Doesn’t she care at all about my interests? Like red wine, or making out with athletes? It’s like Mary Kate isn’t even my twin sister anymore…it’s like she’s my twin….bitch….ster.
Ashley looks around to see if anyone heard her.
I need something new in my life. I need a dynamic change. I should move away somewhere, meet new people, sing a new tune. Manhattan doesn’t have that same thrill it used to. The other day a little girl asked me if I was Hillary Duff. I was like, does Hillary Duff have a twin? That Hannah Montana is totally trying to bank off of me and Mary-Kate’s twin thing. She doesn’t even have a twin, but she acts like she does. Is she a rock star? Is she a normal teenager? How many identities does this girl get to have? She gets the notoriety for playing more than one role, plus she gets to keep all the money, without sharing it with her nonexistent sister. You think I didn’t think of that? You think I wouldn’t have liked to be a whole celebrity, you multi-headed Miley Cerberus?
Ashley sighs, and looks out the window.
Curtain.
Ash-Strong: Act Two
December 11, 2007
A continuation of “Ash-Strong: A Love for the Ages,” an original play by Angela.
Act 1 can be found here.
Ash-Strong: A Love for the Ages
By Angela
Act 2, Scene 1
The countryside
Lance sits on a rock, brooding. Next to him, on a neighboring rock, sits John Mayer.
Lance
John, what are we doing with our lives?
John
We’re succeeding, Lance.
Lance
Succeeding at what?
John
I’m a talented musician, and you’re a talented athlete. We’ve both earned recognition for our respective crafts. That’s something, isn’t it?
Lance
I guess it’s something. But isn’t there more?
John
I think I know what you’re talking about. Is it Sheryl again?
Lance
No! Sheryl and I are old news. It’s kind of annoying dating a musician. They’re very emotional.
John
Are you saying I’m emotional?
Lance
John, I’m pretty sure the whole world’s saying that you’re emotional. That “Your Body is a Wonderland” song? What was that?
John
People love that song.
Lance
People on Valium love that song.
John
Whatever, those are people. Like “Every Day is a Winding Road?” Or that “If it makes you happy” song that Sheryl has? What does that song even mean? Is she talking to herself, or is she talking to someone directly? I’ve never understood it. Is it about drugs?
Lance
I have no idea. We never really talked about those songs.
John
What did you guys talk about?
Lance
I don’t know…testicular cancer….bicycling….bracelets.
John
So, your interests.
Lance
What are you saying?
John
I’m saying maybe Sheryl wanted to talk about her interests. Like, the guitar, or those pink Yoplait yogurt lids.
Lance
What?
John
That’s how you save breasts. With yogurt lids. I’ve saved like five this week already. Women go crazy over curing breast cancer.
Lance
Does each lid save a new breast?
John
I would assume so.
Lance
Huh.
John
Yeah.
Lance
I guess I don’t know anything about women at all.
John
I do. I’ve got them figured out. That’s why I have so many hit songs.
Lance
Tell me your wisdom, John.
John
Okay. Well, first of all…girls love to think that they are beautiful “just as they are”: no makeup, no fancy clothes. Obviously this isn’t true. But you have to just say it. They eat that shit up. Just compliment them constantly.
Lance
(taking notes)
compliment…constantly…got it.
John
Next, tell them that when you’re not with them, you’re constantly thinking about them, and that you no longer find any other woman attractive.
Lance
Got it.
John
Then, tell them all your fears about growing older. Make it seem like you and your dad are best friends. They love that.
Lance
Okay.
John
This is just something I’ve found: don’t play your guitar all the time. It’s overdone.
Lance
Okay.
John
You should tell women you think about them when you’re bicycling. Just tell them you think about them all the time.
Lance
But if you do that too much, they’ll think you’re obsessive.
John
Yeah, you have to kind of find a balance.
Lance
(sighs)
What are we doing with our lives, John?
John
I don’t know.
End Scene.
Act 2, Scene 2
Ashley and Mary-Katie Olsen sit at an empty restaurant. Mary-Kate is eating Splenda packets. Ashley is forlorn.
Mary-Kate
What do you think about John Mayer?
Ashley
Douchebag.
End Scene.
Ash-Strong: A Love for the Ages
Act 2, Scene 3
An empty cafeteria. Mary-Kate chews on straw wrappers. Ashley looks out the window at passers-by. Outside, it’s raining.
Ashley
Mary-Kate. Do you ever feel like men and women are more alike than we realize?
Mary-Kate
Men are idiots.
Ashley
But are women so perfect?
Mary-Kate
Women aren’t perfect, they’re just more perfect than men. For example, take a look at what I’m wearing.
Ashley
Is that a trash bag?
Mary-Kate
It’s a dress, Ashley. It’s a dress. And it’s unique and it’s beautiful, and it proves I’m not afraid to take chances. Unlike a man.
Ashley
You think men don’t take chances?
Mary-Kate
I think men don’t have to. Men still have all the power in the world. And they know it, which is the worst thing.
Ashley
I don’t know, I think women still have some power.
Mary-Kate
Women have the power to say “no” to men. They’re what men want. But that’s not real power, that’s just a slight control over who they give themselves to. Men are still the ones looking out for what they want. Women are still the target. A fox can choose where it hides and where it runs, but in the end the guy on the horse with the gun is still the one in charge.
Ashley
That’s an interesting take.
Mary-Kate
I guess. Can you grab some more Splenda from that table for me?
Ashley hands her sister some yellow Splenda packets. Mary-Kate dumps the Splenda into her water class and pops the empty paper envelope into her mouth. Ashley sighs.
Ashley
I guess I just want someone to love, you know? I don’t want to think men have all the power and that I’m just an object. I want to be appreciated for the things that I appreciate in myself. It hasn’t been easy being in the spotlight, you know that more than anyone, Mary-Kate. Is it so much to ask for someone to share myself with, without feeling like I’m compromising on my hard-won independence?
Mary-Kate
Ashley, that’s enough talking for today.
End Scene.
Act 2, Scene 4
Lance and John roam the aisles of Walgreens. Lance stops to handle a package of trail mix, and broods.
John
Dude. What is up with you?
Lance
What do you mean?
John
I mean I’ve hung out with you all day, and all you ever do is brood. This isn’t the Lance I know. This isn’t the Lance I rooted for in the Tour de France.
Lance
Tour de Lance.
John
Whatever. Look, are you upset about something? What the hell is up with you?
Lance
I’m wasting my life! That’s what’s up with me. I don’t know what I want, and I feel like I’m spinning in circles. Like one of my tires is flat and I don’t have a patch, and there’s a mountain up ahead and a Frenchman on my tail. Like the blood transfusions my doctor gave me were laced with Sadness steroids. Like all the women I’ve dated were just inner tubes floating in an ocean of despair that I tried to hold on to but realized that they couldn’t really keep me up, so I have continued a gradual drowning nightmare that will never end until there is a dynamic change in my life. That’s how I feel, John. Are you happy now? Would you like to write a song about it, you traveling monstrel?
John
Whoa, whoa. Don’t get mad at me because your life’s a mess. I was just trying to buy a Sobe.
Lance
You’re a Sobe.
Curtain.
Ash-Strong: Act 3, Scene 1
December 7, 2007
Ash-Strong: A Love for the Ages
Act 3, Scene 1
Walgreens. John Mayer and Lance Armstrong continue to roam the desolate aisles of the national drug store chain. John attempts to comfort Lance in his misery, and comes up with an idea.
John
I have an idea.
Lance
I’m not surprised.
John
Lance, I have a lot of good ideas. Remember that one about the Sobe?
Lance
You mean five minutes ago when you told me you were thirsty?
John
And then proceeded to buy a Sobe, yes.
Lance
I don’t get your point.
John
I had a problem, I concocted a solution, I put said concoction into action, and now my thirst is quenched.
Lance
I don’t see how this relates to my life.
John
I have a solution to your problem.
Lance
Let’s hear it.
John
Twins.
Lance
Pardon?
John
Twin girls.
Lance
I am drowning in despair.
John
Correct. And do you see any twin girls anywhere near?
Lance
No…
John
Thus…
Lance
You are such an idiot. Are you high right now?
John
I’m high on genius. And I know some twins. Don’t say anything now, John. Just meet me at the corner of 189th and 3rd.
Lance
Are those even real streets?
John
Just meet me there.
End Scene.
Ash-Strong: Act 3, Scene 2
December 7, 2007
Ash-Strong: A Love for the Ages
Act 3, Scene 2
Corner of 189th and 3rd, New York City
John Mayer is discussing something serious-seeming with what appear to be two small elves covered in cloaks.
John
And then I said, your body is a wonderland!
The elves laugh, not revealing their faces.
Enter Lance Armstrong.
Lance
All right, John, I’m here. Why all the secrecy? What’s going on here?
John
Lance, I have some people I’d like you to meet.
The elves turn around and reveal themselves to be Mary Kate and Ashley Olsen.
Lance
What’s this about, John?
John
Lance, these are the twins I was talking about. Meet Mary Kate and Ashley Olsen. Otherwise known as tv’s Michelle.
Lance
John, twins, don’t take this the wrong way, but I really don’t think this is going to cure me of my depression. I need something new in my life, and this is just more of the same.
John
Lance, what are you talking about? Are you saying you are always hanging out with ridiculously rich and famous sets of adorable twins?
Lance
John, you will never understand me, will you? How can you be such a sentimental cascade of emotions when it comes to your own failures in love, but you can’t understand my needs? Don’t you see what’s happening here? Don’t you see why twins are the exact opposite of what I need to heal?
John
I don’t understand.
Lance
Basically, John, your stupid mouth has got you in trouble again.
Exit Lance.
Mary Kate
Who was that?
Ashley
Lance, wait!
Exit Ashley, following Lance offstage.
Ash-Strong: A Love for the Ages: Act 3, Scene 4
December 5, 2007
Ash-Strong: A Love For the Ages
Act 3, Scene 4
The Streets of New York City
Ashley:
Lance, wait!
Lance:
Look, you half-person, I’m sorry, but I can’t talk to you right now.
Ashley:
What?! (Shrieks) Half Person? What are you talking about?
Lance:
I’m talking about what you are. You’re half of a person. You’re even the size of half of a person.
Ashley:
Why are you acting this way?
Lance:
Because it’s the truth!
Ashley:
I don’t believe you. There must be some other reason for you to say such…such hurtful things to a person!
Lance:
There’s no reason to speak the truth, other than because it’s the truth. The truth needs no motive. It simply exists.
Ashley:
Well, this isn’t true. I’m not a half-person. I’m a whole person, same as you!
Lance bursts into soulful tears.
Lance:
That’s just it! I’m not a whole person. I’m only a half. Where most men have two, I have just one. I’m half a man…and it’s killing me inside!
Ashley:
Whoa, whoa, Lance, that’s not true!
Lance:
It is true! No tour de Lance victory can ever change the fact that I only have one testicle. And that’s the saddest thing I’ve ever heard.
Ashley:
Sorry, isn’t it Tour de Fra–
Lance:
Tour de Lance.
Ashley:
Right.
Lance:
I wish I could get past this. There are so many other great men in history who only had one testicle, and still achieved great things. George Washington, Paul Revere, Lao Tzu, Stevie Wonder, Thomas Mann, Albert Einstein…
Ashley:
Eleanor Roosevelt didn’t have even one.
Lance:
See? I should be able to get over this! But I can’t, and seeing you only reminds me more of my plight. You’re one half of a pair, and the two of you are joined at the hip! I mean, you played the same loveable tot on Full House! How can I look at you and still feel whole?
Ashley:
Lance, you’re an amazing athlete. You’ve dated Sheryl Crow, a champion of breast cancer awareness and known rock and roller. You have basically a shaved head, and you’re white, and no one even once has accused you of belonging to the Nazi party. You are a plastic bracelet trendsetter, and a great man. You are more than just one testicle: you are Lance Armstrong.
Lance:
You’re right, Ashley. I am Lance Armstrong. Say, would you like to get coffee sometime?
Ashley:
I’d love to.
End Scene.
Curtain.
Act 4, Scenes 1-2
December 4, 2007
Act 4, Scene 1
John Mayer and Mary Kate Olsen stand at a New York street corner having awkward conversation.
Mary Kate
I used to sell drugs on this corner.
John
That’s cool.
Mary Kate
Yeah.
John
So…do you like music?
Mary Kate
No.
John
Oh.
Silence.
John
Do you like food?
Mary Kate
Laughs.
John
Looks around.
End Scene.
Act 4, Scene 2
Lance Armstrong and Ashley Olsen sit at a cafeteria, laughing.
Lance
That’s the funniest thing I’ve ever heard!
Ashley
I know, Bob Saget is kind of an asshole.
Lance
And it never grew back?
Ashley
Note even a little!
Lance
Man.
Ashley
I know.
Lance
Okay, now tell me the truth. What’s John Stamos like in real life?
Ashley
Oh, he’s a sweetheart.
Lance
I knew it!
Ashley
But what about you? What is it about bicycles that you like so much?
Lance
I don’t know, I guess it’s something about the duality. Two wheels, two pedals. I’ve just always had a thing for even numbers. That’s why this…you know, whole ordeal has been kind of rough.
Ashley
That’s funny, I’m the opposite. I’ve never liked even numbers. Maybe it’s just my response to being part of a pair for so long. I don’t even like to wear pants, because they come in a pair.
Lance
It’s amazing how we’re so different, and yet I still find myself wanting to be with you.
Ashley
It’s amazing how you’re so old, and yet I still find myself wanting to be with you!
End Scene.